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Infringement of copyright and the remedies for it

Law of Copyrights · Unit IV · Topic 11 of 15 · 6 min read

Primary and secondary infringement under section 51, proving copying, civil remedies and interim orders, criminal remedies after Knit Pro, border measures, jurisdiction after Sanjay Dalia, and the Commercial Courts regime.

On this page
  1. 1. What infringes (section 51)
  2. 2. Civil remedies (Chapter XII)
  3. 3. Jurisdiction (section 62)
  4. 4. Criminal remedies
  5. 5. Border measures
  6. 6. Defences
  7. How this is examined
Cases checked to exist. Read the judgment before quoting a holding.

Every case cited here has been checked to exist — the citation resolves and names the right parties. The propositions attributed to each case have not been verified line by line against the judgment. Case names link through to the full judgment: read it before quoting a holding in an examination answer, and never carry a proposition from notes into court on trust.

The 2025 question. “Elaborate the remedies available for copyright infringement” needs three heads: civil, criminal and administrative. LL.M. examiners also expect a short opening on what infringement is, the forms of interim relief Indian courts have developed (John Doe, Anton Piller, dynamic blocking), and the recent Supreme Court rulings on jurisdiction and on the criminal offence.

1. What infringes (section 51)

Copyright is infringed when a person, without a licence from the owner or the Registrar, or in contravention of the conditions of a licence:

The Explanation to section 51 says reproduction of a literary, dramatic, musical or artistic work in the form of a film is an infringing copy.

Proving copying

  1. Copying in fact. Direct evidence is rare. Courts infer copying from access plus similarity; common errors or traps (deliberate mistakes in a directory) are strong evidence.
  2. Substantial part. Taking must be of a substantial part, judged by quality not quantity: Ladbroke (Football) v. William Hill (House of Lords, 1964). A small but essential part may be substantial.
  3. The lay observer test. R.G. Anand v. Delux Films, 1978 INSC 138: whether a viewer gets an unmistakable impression that one is a copy of the other.

2. Civil remedies (Chapter XII)

Section 55 gives the owner all remedies by way of injunction, damages, accounts and otherwise as are conferred by law for infringement of a right. Section 54 treats an exclusive licensee as owner for this purpose. The main remedies:

Interim relief

Most copyright litigation is decided at the interim stage. The tests come from Order XXXIX Rules 1 and 2 of the Code of Civil Procedure: a prima facie case, balance of convenience, and irreparable injury. On appeal from interim orders, the appellate court does not substitute its own discretion unless the trial court acted arbitrarily or ignored settled principles: Wander Ltd. v. Antox India (Supreme Court, 1990).

Groundless threats (section 60)

A person threatened with infringement proceedings may sue for a declaration that the threats are unjustified and for an injunction, unless the threatener starts proceedings with due diligence.

3. Jurisdiction (section 62)

Section 62(2) allows a suit to be filed where the plaintiff actually and voluntarily resides or carries on business, in addition to the usual places under section 20 of the CPC. In Indian Performing Rights Society v. Sanjay Dalia, 2015 INSC 452, the Supreme Court held that the provision was meant to help authors sue where they live, not to let large plaintiffs drag defendants to distant courts. Where the plaintiff has a branch office at the place where the cause of action arose, it must sue there, not at its head office.

Since the Commercial Courts Act, 2015, copyright suits are commercial disputes, heard by Commercial Courts or the Commercial Division of the High Court, with case management, summary judgment under Order XIIIA, and stricter timelines. Pre-institution mediation under section 12A is required unless urgent interim relief is sought.

4. Criminal remedies

In Knit Pro International v. State of NCT of Delhi, 2022 INSC 621, the Supreme Court held that because the maximum punishment under section 63 is three years, the offence is cognizable and non-bailable under Part II of the First Schedule to the Code of Criminal Procedure. The same classification follows under the Bharatiya Nagarik Suraksha Sanhita, 2023, which has replaced the Code from 1 July 2024. Police can therefore register an FIR and investigate without a magistrate’s order.

Critical point. Criminal remedies are fast and cheap for owners, and police raids are a familiar weapon against pirated books and software. Critics say they turn a private property dispute into a policing matter and put pressure on small traders. TRIPS Article 61 requires criminal procedures only for wilful copyright piracy on a commercial scale; Indian law goes further by covering all knowing infringement.

5. Border measures

Section 53 allows the owner to apply to the Commissioner of Customs to treat infringing copies as prohibited goods, implementing TRIPS Articles 51 to 60. The Intellectual Property Rights (Imported Goods) Enforcement Rules, 2007 set the procedure. In Gramophone Company of India v. Birendra Bahadur Pandey, 1984 INSC 40, pirated cassettes in transit through India to Nepal were held to be “imported” within section 53. The Court applied the doctrine that international law is part of municipal law unless it conflicts with statute, and read the Act consistently with India’s treaty obligations.

6. Defences

How this is examined

For “remedies”, write the civil remedies with interim orders, the criminal provisions with Knit Pro, border measures with Gramophone, and jurisdiction with Sanjay Dalia. Add a sentence on TRIPS Part III (Articles 41 to 61) to show that India meets the international enforcement standard.

Now try the real questions: Law of Copyrights past question papers.